Reception
Iris, as a good flaneur of signs, appropriates the pornographic in a true strategy of recycling, repetition by far: images that refer us to hentai acquire a new meaning when they are articulated with a text by the artist, in this intertextual exercise Explicit images from the Japanese adult comics acquire a poetic reverberation, this exercise in porn-appropriations produces a rather particular effect of meaning, the signifiers are preserved, the meanings change. It seems that Iris traces on the surface of the pornographic image an inscription that transcends its initial purpose, this excess of purpose, this "hypertelia" of the image, a supplement that frees it from its original meaning, turns it into a space open to anamorphosis.
Fabián Giménez Gatto
Cenidiap, INBA
Epistolary Eroticism of Iris "Amor amor: My name is not important and I am a Anonymous Erotica. But my acts bear my name, I have tattooed it on your sex and horny fantasies. The laser will be able to erase it from your dermal books but not from the accounts in the book of fire…" Thus begins one of the playful letters written by Iris México, a visual artist who has traveled through various creative disciplines, such as painting, drawing, photography and mail art.
Javier Hernández Chelico
La Jornada. 2002
"Rebel artist who recovers in her work the spirit of the avant-garde, Iris conceives herself as a priestess of a ritual called art that finds in kitsch and pop her liberating strategies. She has taken advantage of her physical attractiveness (she is very beautiful) to become the sex symbol of a bold erotic discourse that fits perfectly within the framework of the spectacle societies. The positive thing is that her work transcends the frivolity of the image empire in her subversive efforts to free the woman from their ancestral chains."
Antonio Espinoza
Magazine Excéntrica
Fan Art
These images showcase a diverse array of fan art inspired by Sugar Iris. Among them is a digital 2D illustration by Rafaela Herrera, capturing her interpretation of Sugar's persona. The collection also includes a graffiti-style drawing by Octavio, conveying a vibrant, street-art aesthetic. Additionally, there is a candid photograph of Sugar taken at an electronic music event, which was published on generacionelectronica.com, highlighting her connection to the music scene. Lastly, a series of photographs features a Barbie doll with long pink hair, inspired by Sugar Iris and created by Pilar Bañuelos, blending pop culture with personal expression. Together, these works reflect the wide-ranging influence of Sugar Iris and the creative ways fans choose to interpret and celebrate her image.
We love seeing how Sugar Iris inspires your creativity! Feel free to share your fan art with us by sending it to: unumatma (at) gmail.com (please include the subject: Sugar Iris Fan Art). We can't wait to celebrate your unique interpretations and showcase the amazing talent within our community. Let your passion shine—your artwork might just inspire others too!
Colleagues' Comments on Sugar Iris's work:
2000
Colleague 1 (Antonio Caro, Colombian conceptual artist):
"I declined the invitation to participate in the Love Epistolary project, as I believe that what Iris explores is a rationalization of love rather than love itself. Genuine love is felt deeply and remains private, beyond rational analysis."
2020
Colleague 2 (Sergio García, Mexican writer):
"Upon learning about the relationship and the artistic challenges Iris has faced, I was surprised. I had the impression that 'pretty women don't have problems,' so this revelation challenged my assumptions about her work and life."
2025
"Some people expressed surprise after reading the project's binnacle, noting that they initially perceived Sugar Iris's artwork as more straightforward or even cheesy. However, after understanding the background and reactions involved, they realized that the project is far more complex and nuanced than they had originally thought."
Art Show Comments
The following are comments from the Passion exhibition of Iris Aggeler's artworks, presented on different dates and venues. Critiques are not censored; only ellipses "(...)" are used when handwriting is unclear. Spelling has been corrected for clarity.
Iris emphasize the importance of fostering dialogue through art. Displaying visitor comments encourages engagement, invites diverse perspectives, and sparks debate—essential components of a vibrant cultural discourse. Exhibitions that challenge societal roles and provoke polarizing opinions serve to question established norms, especially when addressing the roles assigned to women.
Sharing these comments publicly adds to the creation of an artist's archive, serving as a record of the public's reception and interaction with the work. This practice enriches the understanding of the artwork's impact over time, offering insights into societal attitudes, personal interpretations, and the evolving conversation around themes that are often marginalized or contested. Ultimately, including visitor feedback in the exhibition documentation underscores the participatory nature of contemporary art and contributes to the ongoing dialogue that shapes the artist's legacy.
Sharing audience comments, even when some are aggressive, disrespectful, or resemble a witch hunt, is a vital part of engaging with art. Words are a reflection of the individual who writes them and do not necessarily serve as an objective assessment of the artwork's quality. No one was forced to attend the exhibition; entry was free and voluntary, emphasizing the personal choice to engage with the art show. In this context, the project functions as a mirror, revealing not only the artwork but also the diverse reactions it provokes. When faced with loving, vulnerable, tender, raw, and passionate letters, one is prompted to ask: would you embrace these feelings, or would you reject them? Some visitors have responded with their own candid, naked reactions to the art—responses that reveal as much about their inner worlds as possible. These exchanges enrich the dialogue and deepen our understanding of the complex landscape of human emotion that the project explores.
Comments on the Passion Exhibition (2000-2003)
Comment notebook, ledger-sized, covered in collage, starts on page 67
Comments on the Passion Exhibition (2003)
The artist's mailbox, during 2003, received comments that show the diverse perspectives and emotional connections that viewers had in relation to the Passion exhibition.
Spanish version:
Comentarios sobre la Exposición Passion (2000-2003)
Cuaderno de comentarios, tamaño oficio, cubierto con collage, comienza en la página 67
Comentarios sobre la Exposición Passion (2003)
El buzón de la artista, durante 2003, recibió comentarios que muestran las diversas perspectivas y conexiones emocionales que los espectadores tenían con relación a la exposición Passion.
AUS1F2.5R-2000-2003-Comments
AUS1F2.5R-2003-Comments
To read it, download this PDF / Para leerlo, descarga el siguiente PDF: